- #MASTER OF MONSTERS CONCEPT ART MOVIE#
- #MASTER OF MONSTERS CONCEPT ART SOFTWARE#
- #MASTER OF MONSTERS CONCEPT ART TRIAL#
The Art of Godzilla: King of the Monsters is a great companion book to Mark Cotta Vaz’s Godzilla: The Art of Destruction, the behind the scenes look at Gareth Edward’s 2014 Godzilla film that was the starting point for Godzilla: King of the Monsters, and Simon Ward’s The Art of Kong: Skull Island. Others made sculptures of each creature–in a variety of materials–and then those sculptures were scanned and manipulated into what the audience sees on screen by others, after even more creators contributed their colors, texture, lighting, and other touches.
#MASTER OF MONSTERS CONCEPT ART SOFTWARE#
Some artists worked on familiar software programs, combining photographs and 3D imaging of locations like San Francisco’s Union Square to combine with actors in Atlanta. Several effects companies worked on components of this film, each trying to make their creations the best of the pack without competing against each other–the goal being to create the best final product they could. Chambliss discusses the visual tricks he used to make Godzilla, Mothra, Rodan, and King Ghidorra appear to have immense scale, but also appear real. Chambliss has his own style, and when watching the film my reaction was how many sets, and specifically the color and lighting choices, felt like Star Trek 2009, a film in which Chambliss also served as production designer.
#MASTER OF MONSTERS CONCEPT ART TRIAL#
The Art of Godzilla: King of the Monsters is filled with trial pieces from artists showcasing the process of turning the classic Japanese kaiju characters into something new and different.įans of Scott Chambliss will want to read what guided him to make the choices and decisions for the look of the film.
#MASTER OF MONSTERS CONCEPT ART MOVIE#
Readers wouldn’t expect a film with giant creatures to be filmed with practical sets, but with a modern studio Godzilla movie filmed in the U.S., you automatically expect a predominantly CGI movie. It’s also weighted toward pre-production and the pre-visualization process.
Abbie Bernstein′s The Art of Godzilla: King of the Monsters is no exception, but it will be particularly fun for anyone who is a fan of concept art and mega-monsters. Just pick a film you like and jump right in. *Spoiler Alert* At the end of the first movie, we see that Godzilla has had cute/terrifying babies, and that the titular monster has actually grown in size and is looking very, very intimidating! This new concept art image shows Godzilla towering above the clouds and showcasing his super cool electromagnetic pulse that was revealed in Godzilla: Monster Planet. The site also revealed the title of the second film, which will be Godzilla: Kessen Kidō Zōshoku Toshi ( Godzilla: The City Mechanized for the Final Battle).One of the benefits of behind-the-scenes and making of/art books for major studio movies is that anyone diving into the production process for the first time can usually learn plenty about the stages of filmmaking from pre-production to final product. Fans have been eagerly waiting on news of the next entry, and today the official Godzilla anime website has teased some really cool concept art! 20 years later a ragtag group of human survivors attempt to return to Earth, finding it now ruled by Godzilla himself! With state-of-the-art animation and a gripping take on Godzilla lore, Godzilla: Monster Planet is a fantastic addition to the franchise.
The first ever animated film in the franchise, it’s also the 32nd entry in the series! The first in a trilogy of new animated Godzilla movies, the 88-minute extravaganza tells the story of a near future Earth devastated by huge monsters, leading to an alien invasion and humans attempting to make a new home on the–actually real!– planet Tau Ceti e. Godzilla is the longest running franchise in film history, and earlier this year Netflix debuted a new anime incarnation of the King of Monsters himself with Godzilla: Monster Planet.
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